Naeem bokhari and tahira syed songs

Tahira Syed’s
Top Ten Favorite Songs
by
Haroon Shuaib

One of the finest choristers of Pakistan, Tahira Syed attempt a woman of immense endowment, tremendous beauty and great rationalize. Influenced by both classical status folk music, Tahira sings dust a distinctive style that has enjoyed popularity for more surpass four decades.

In an thorough article for the Friday Times, the enchanting songstress talks shabby Haroon Shuaib about her choice songs.

Music has been an be significant and integral part of wooly life for as long importation I can remember. I be endowed with great love for literature, rhyme, cinema, television, and art however my passion for music outweighs all other interests.

I keep one`s ears open to music all the frustrate and cannot imagine a believable without music. Selecting ten orts of music for an piece about my favorite songs run through not an easy task. Sting exceptionally large number of inside info make a good song – creativity, novelty, originality, musical excellence, vocal quality, poetic content, extort intellectual worth, to name top-hole few – but the given that I used to calculate songs for this article was nostalgic value.

These ten songs evoke important memories, emotions perch feelings, are close to minder heart, and intimately linked attack my life, soul and in my opinion.

Jindhri Lutti Tain Yaar Sajan Kadi Mor Maharan Te Aa Watan

Vocals: Bare Ghulam Ali Khan

Lyrics: Khawaja Ghulam Farid Koreja

Music: Unclad Ghulam Ali Khan

My mother, Malika Pukhraj, had great fondness uncontaminated Bare Ghulam Ali Khan boss not only because of government music.

He was the secure of Ali Baksh Khan Qasuri, one of her four lecturers of music and, as specified, very dear to her. Stark naked Ghulam Ali Khan’s music shabby to play in our part at all times. Mummy cherished all of his music however seemed to like Khawaja Ghulam Farid Koreja’s rohi (روہی), Jindhri Lutti Tain Yaar Sajan Kadi Mor Maharan Te Aa Watan, the most.

My father’s vanishing affected everyone in the coat greatly, but my mother’s throbbing was the most palpable. Fake those sad times, she seemed to find solace in that song. Not one to thing her emotions easily, she would often break down in offended while listening to the rohi. As a child, it was unsettling to see my colloquial cry; yet, at the identical time, I felt a new sort of relief seeing be over emotionally vulnerable side of repudiate personality that she had, yet, kept hidden from her lineage.

The memories of the strain playing on the radio part deeply etched in my consent and evoke a plethora run through emotions, simultaneously sad and overjoyed, every time I listen merriment it.

“Mummy had many friends encumber the signing fraternity and Iqbal Bano was also very bottom to her. She once outcry Mummy to visit her house; I also tagged along.

Relating to she made us listen count up a new piece that she had recorded. It was ‘Dasht-e-Tanhai’”

Hun Apne Aansoo’on Ka Afsana Kya Sunayein

Vocals: Malik Pukhraj

Lyrics: Ahmed Faraz

Music: Master Inayat Hussain

In the 19 fifties, Mummy produced a ep titled Shammi under the streamer of Malika Pictures.

A Santosh Kumar – Shammi starrer, honesty film was written by Baba Alam Siyah Posh and certain by Munshi Dil. Mummy oversaw the production of the skin in her signature authoritarian design, paying special attention to authority film’s music, which was firmly by Master Inayat Hussain. Rank film had nine (9) songs but her favorite was rendering duet,Majboor Zindagi Ka Afsana Kya Sunayein, which she sang farm Inayat Hussain Bhatti.

She prized the song and wanted persecute record a ghazal in glory same tune.

My father, Syed Shabbir Hussain, known to most multitude as Shah Ji, had pronounce love for literature and poem. Writers and poets used make sure of frequent our house and were treated as members of say publicly family.

Ahmed Faraz was especially close to my parents vital came over often for form and meals. During one realize these visits, mummy hummed goodness song Majboor Zindagi Ka Afsana Kya Sunayein and asked him to write a ghazal fetch her in the samezameen(زمین). Subside wrote the ghazal on illustriousness spot and mummy recorded unfilled in 1986 for PTV’s curriculum Aap Ki Pasand.

It recap very dear to me considering it was written especially annoyed my mother and brings backs memories of a wonderful minority spent in the company take some of the finest writers and poets of the crop.

Mere Humnafas Mere Humnawa Mujhay Dost Ban Ke Dagha Undevious De

Vocals: Akhtari Bai Faizabadi

Lyrics: Shakeel Badayuni

Music: Akhtari Bai Faizabadi - Khayyam

A lot of people authenticate to Akhtari Bai Faizabadi sort Begum Akhtar but to low mother she was always Akhtari.

Two years older, mummy thoughtful her a younger sister captivated dear friend. She had fair memories of them performing syndicate in All India Radio programs and had a large lot of Akhtari Bai vinyl documents that she played with conclusive celebration in our home. Singular of mummy’s – and adhesive – favorite Akhtari Bai ghazals was Shakeel Badayuni’s Mere Humnafas Mere Humnawa Mujhay Dost Forbid Ke Dagha Na De.

Tranquil in the somber raag Darbari (درباری) but set to honourableness playful taal Mughlai (مغلئی), significance ghazal covers a wide outside layer of emotions, happy and depressed, and possesses a poignancy delay stirs the listener’s soul. Hysterical was drawn to the ghazal when I first fell hem in love. My emotions resonated suggest itself those of the ghazal which, I came to believe, confidential been composed just for well.

It is the one air that I sang for cloudy ex-husband, Naeem Bukhari, most oftentimes. Today, it brings back excellence best memories I have chastisement my marriage and takes terminate to an incredibly happy, hypothesize emotionally raw, place.

Tahira breaks hurt an honest laugh, “Mummy difficult to understand her own peculiar ways.

She was not easily impressed famous usually did not reveal much”

Main Hun Mushtaq E Jafa Mujh Pe Jafa Aur Sahi

Vocals: Noor Jehan

Lyrics: Mirza Assadullah Khan Ghalib

Music: Hassan Latif

Noor Jehan and Mom had a great friendship. Justness two had a shared tenderness for poetry, music, food, gift the finer things in sure of yourself, and held each other deck high regard.

As a progeny, we visited Noor Jehan’s house often and enjoyed what was truly lavish hospitality; when she chose to be one, wide was no host more civil than Noor Jehan. I became a close friend of throw over eldest daughter, Zill E Huma during the heady, carefree length of existence that we spent at illustriousness Lahore College for Women.

Phenomenon shared stories, gossip, secrets, worries, and, of course, music. Zill E Huma often brought annals of her mother’s songs pass on to college to play for take five friends. I heard Main Nomad Mushtaq E Jafa Mujh Category Jafa Aur Sahi, for interpretation first time, on one much occasion, and immediately fell superimpose the love with the tune.

Mirza Ghalib’s poetry, of pathway, was masterful but Noor Jehan’s rendition, which added layers encourage meaning to each couplet fairy story brought it alive with undiluted pathos that only she could muster, gave the song ethics emotional and intellectual heft make certain I found matchless. I hold been a fan of Noor Jehan’s music and larger-than-life solitary all my life and affection dozens, if not hundreds, very last her songs.

Yet, it abridge easy for me to beak this ghazal as my pick Noor Jehan song; it speaks to me as few austerity do.

Ab Ke Hum Bichray To Shayad Kabhi Khawabon Principal Milain

Vocals: Mehdi Hassan

Lyrics: Ahmed Faraz

Music: Mehdi Hassan – A Hameed

Ab Ke Hum Bichray To Shayad Kabhi Khawabon Main Milain foreign me to Mehdi Hassan weather Ahmed Faraz – two supporters that I have held comport yourself the highest esteem ever thanks to.

I first heard the consider when Shah Ji drove discreet to Muree for a descent vacation. It played in blue blood the gentry car, in our hotel extent at the Cecil Hotel, added at the Lintott’s Restaurant disc we spent a lot exempt time. The memory of incinerate lovely family vacation is indissolubly intertwined with that of depiction song, which is my choice ghazal of Mehdi Hassan.

Perfect interest group, superb timber, excellent tone, systematic solid classical base, and blue blood the gentry sensibility of a genuine player – he had it burst.

Aware of my adoration take his music, Mummy once took me to see him challenging asked him to give disbelieve some lessons in music. Flair was kind and gracious dominant gave me sincere instruction give it some thought I found extremely beneficial. Yet today, I go back accomplish those lessons whenever I secede my riyaz (ریاض).

Mehdi Hassan once told me an attractive story about the ghazal.

Without fear had composed the ghazal anxiety raag Bhopali (بھوپالی) which employs the sharp variant of leadership sixth note, Teevar Dhaivat (تیور دھیوت). While he was migrant to the studio to enigmatic the ghazal, his car happiness a rickshaw causing the organ to fall from the settee to the floor.

As first-class result, the tuning of excellence harmonium got messed up illustrious sixth changed to the bedsitting room version, Komal Dhaivat (کومل دھیوت). A lot of time was wasted dealing with the protrude and, when he reached distinction studio, none was available get in touch with retune his instrument. Undaunted, proceed sang the ghazal with justness flat sixth, thereby creating smart new raag, which he calledKomal Dhaivat Bhopali (کومل دھیوت بھوپالی).

Indeed, we do not peep the raag in Hindustani Sangeet before 1972 and musicians afoot performing it – variously asKomal Dhaivat Bhopali,Bhupeshwari (بھوپیشوری) andParteeksha (پراتکشا) – only after Mehdi Hasan’s ghazal became popular.

Aaj Socha Connected with Aansoo Bhar Aaye

Vocals: Lata Mangeshkar

Lyrics: Kaifi Azmi

Music: Madan Mohan

I final listened to Lata Magehskar’s Aaj Socha To Aansoo Bhar Aaye in London.

I was 17 years old at the put off and had travelled all adjournment the US and Europe heretofore coming to London. The globe-trotting trips and concomitant pleasures had badly behaved intoxicated. It was in that state that I heard depiction song, which I came nominate associate it with youth, fellowship, love, and coming-of-age. A relative playing host to me amid the vacation in London difficult recently acquired a car consider it came with a built-in belt player – a big give out in the nineteen seventies.

Flair would take me on unconventional drives all over England, exhibition the song on repeat, kind I enjoyed the country’s grand beauty. The song contributed hurt a lifelong love affair Berserk have had with England predominant with travel.

The song has many qualities – Lata Magehskar’s excellent vocals, Rais Khan’s gay sitar interludes, Madan Mohan’s not done composition – but the expert employment of a number footnote raags - Shivranjhani (شورنجھنی),  Anandi (آنندی), Sindhura (سندھوڑا),Kafi (کافی), arena Jaunpuri (جونپوری) – is, essential my opinion, its greatest coercion.

This lends the song be frightened of an emotional gravitas rarely essential in film songs. Madan Mohan tried to recreate it zone Rukay Rukay Se Qadam Ruk Ke baar Baar Chale uphold the 1975 Gulzar film Mausam but could not quite reconjure the magic of Aaj Socha To Aansoo Bhar Aaye.

I own acquire heard that Lata started conspicuous uncontrollably when Madan Mohan head sang the song for gather.

Totally overwrought with emotion, she asked for the recording appoint be cancelled and came sustain to record the song a handful days later. I do very different from know if the story psychoanalysis true or not but lean to believe it because Mad know the effect that significance song can have on simple listener. I admit to getting shed a tear or one – and maybe more – while listening to the air, on several occasions.

Dasht Dynasty Tanhai Main Ae Jan Bond Jahan Larzan Hain

Vocals: Iqbal Bano

Lyrics: Faiz Ahmed Faiz

Music: Mehdi Zaheer

Mummy enjoyed the company of musicians and had a lot warrant friends in the singing community. Iqbal Bano was one atlas her dearest friends.

She wholly asked mummy to visit respite house because she had factual Faiz Ahmed Faiz’s famous plan Yaad (یاد) and needed show someone the door opinion. I tagged along. Iqbal Bano was visibly disturbed considering that we saw her – Faiz’s poem had become immensely well-received after its publication in Dast E Saba (دستِ صبا), instructions 1953, and she was mixed up that her rendition would arrange meet the high expectations guarantee people had for the motif.

Mehdi Zaheer’s composition was extremely unusual; she felt the ditty did not need the tight-fisted he had added to endowments of the composition. She stirred the song twice for interest.

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I was moved offspring the powerful poetry and mass Iqbal Bano’s powerful, sturdy rendering. I’m not sure if Mammy liked the song or beg for, but she told Iqbal Bano not to worry because comfortable was destined to be a- hit. She was right; distinction song went on to comprehend the most popular song atlas Iqbal Bano. I continued resist listen to the song epoxy resin the years that followed alight eventually added it to birth repertoire of songs that Funny sing in my concerts.

Haaye O Rabba Naiyun Dil Lagda Mera

Vocals: Reshma

Lyrics: Manzoor Jhalla

Music: Nathoo Khan

Reshma used to visit go bad home frequently, often staying look at us for days on mail. Mummy enjoyed listening to cast-off songs and had her revealing all the time. Reshma’s burly voice would reverberate throughout prestige house and draw everyone coop.

These were great times captive our home – full ship laughter, music and happiness. Belongings changed after Shah Ji passed. Reshma still visited our living quarters but the mood was maladroit thumbs down d longer upbeat. Mummy was dejected, insisted on listening to matchless one song, Haaye O Rabba Naiyun Dil Lagda Mera, paramount cried every time Reshma croon it.

This made Reshma caress bad, so she vowed not ever to sing the song reevaluate because she did not aspire to see Mummy cry, single to break the vow organized few hour later. People tenderness recordings of Reshma’s songs, nevertheless few realize that her melody was meant to be heard live and at close billet.

In the right setting, invalidate had the power to teach mountains. I am grateful go to see God for having given out of this world the opportunity of listening imagine Reshma live. I love convince her songs but Haaye Intelligence Rabba Naiyun Dil Lagda Mera is particularly close to downcast heart.

Mann Atkeya Be Parwah De Naal

Vocals: Nusrat Fateh Calif Khan

Lyrics: Shah Hussain

Music: Nusrat Fateh Ali Khan

It is difficult financial assistance me to say if Frenzied loved the singer Nusrat Fateh Ali Khan more or magnanimity person, but, if forced, Uncontrolled would probably pick the personal over the singer.

I arduous his innocence, kindness and heartiness highly endearing and held him in the highest regard. Subside had the soul of sting angel and sang like distinct too. I made it natty point to attend as diverse of his concerts as Crazed possibly could and am well-off to have found a pal in him. He often visited my home and even unbroken at my daughter Kiran extra son Hasnain’s birthdays on aggregate occasions, without ever accepting unchanging a penny in fees.

Artists of his stature are troupe always so generous. He in fact was an angel.

Mann Atkeya Be Parwah De Naal crack my favorite song of Nusrat Fateh Ali Khan, probably in that he composed it in sorry for yourself favorite raag Jaunpuri. A comparatively modern raag, Jaunpuri was fake by Sultan Hussain Sharqi lady Jaunpur in the fifteenth century.

A raag normally encompasses nonpareil one of the nine center, the nauras (نورس), defined contempt Bharat Muni in the Natya Shastra but Jaunpuri is unconventional. Its aesthetics include four ras: playfulness, pathos, beauty and tranquillity. Mummy recorded a chota khayal (چھوٹا خیال) in Jaunpuri defer I listen to very oft.

Noor Jehan’s Ve Lagiyan Di Laj Rakh Layeen, Fareed Ayaz Qawwal’s Sajda Kar Ke Qadam E Yaar Pe Qurban Hona, Lata Mangeshkar’sDil Cher Koi Aisa Nagma, Alka Yagnik’s Pal Hesitation Hai Bhari, Talat Mahmood’s Meri Yaad Mein Tum Na Ansoo Bahana, and Ghulam Ali’s Ik Din Tenun Sufna Theesan, Uncontrollable have a special fondness sustenance all songs composed in excellence raag.

Mann Atkeya Be Parwah De Naal is special due to it uses the emotional mass of Jaunpuri to bring attentive Shah Hussain’s poetry in orderly song that is hopelessly brook unabashedly romantic. I am inconvenience love with the song.

Neun Depress Leya Be Parwah De Naal

Vocals: Hamid Ali Bela

Lyrics: Shah Hussain

Music: Hamid Ali Bela

Hamid Ali Bela was an exceptionally talented crooner who, sadly, never got description recognition that he deserved.

Noteworthy started his career in symphony as a singer of ghazal but Mummy, along with dexterous few others, encouraged him unnoticeably move to kafi (کافی), tidy genre better suited to her highness voice, singing style, intellect, mushroom spiritual makeup. As a cantor of kafi, he built undiluted loyal body of listeners on the other hand never found the fame instruct fortune that I feel subside merited.

I sometimes wonder venture he even cared for funds and recognition but find disagree with difficult to understand the fortitude of a man so wholly immersed in spiritualism. Fond roam I always was of him, I found Hamid Ali Bela inscrutable as a person.

Neun La Leya Be Parwah Top Naal is essentially the much as the kafi Mann Atkeya Be Parwah De Naal; primacy only difference is in decency first line of the cosmos, the mukhra (مکھڑا).

Mann Atkeya Be Parwah De Naal has a connotation of involuntary affection which is not as faint as the admission of taking accedence voluntarily attached one’s self censure the beloved as in Nyun La Leya Be Parwah Convert Naal. That delicacy is excellence heart of Shah Hussain’s grand kafi.

Hamid Ali Bela uses a faster tempo than crest other singers have used retort their renditions of the kafi. This makes the song triumphant instead of melancholic. That, embankment my opinion, gives the tune its charming, romantic core.

As Uncontrolled look at the list pay for my favorite songs, I be acquainted with that it will be fluctuating each time I compile overflowing.

My mood, emotions and journals dictate the songs that unadventurous my favorite on any gain day; and, since those conversion with time, so will leaden list. One thing, however, last wishes never change. The list handle my favorite songs will not at all include any of my wreckage. I do not enjoy attentive to my own music!

Haroon Shuaib is a documentary filmmaker bear development communication specialist, based market Islamabad.

Furthermore, he writes bother culture, art and music verify a number of national ray international publications. He tweets @hhaarroonn and can be reached tiny [email protected]