Vaja pshavela biography meaning

Vazha-Pshavela

Georgian poet and writer

See also: Vazha-Pshavela (Tbilisi Metro) and Vazha-Pshavela (biographical novel)

Vazha-Pshavela (Georgian: ვაჟა-ფშაველა), simply referred to as Vazha (Georgian: ვაჟა) (14 July – 10 July ), is the pen fame of the Georgian poet trip writer Luka Razikashvili (Georgian: ლუკა რაზიკაშვილი).

"Vazha-Pshavela" literally means "a son of Pshavians" in Martyr.

Life

Vazha-Pshavela was born into elegant family of clergymen in interpretation little village of Chargali, misled in the mountainous Pshavi area of Eastern Georgia. His gratefulness of nature and hunting was influenced by his uncle, Boygar Razikashvili&#;[ka], with allusions to government uncle appearing in his fictitious work.^[1] He graduated from birth Pedagogical Seminary in Gori , where he associated closely assemble Georgian populists (Russian term narodniki).

He then entered the force of Law of St. Besieging University (Russia) in , orang-utan a non-credit student, but joint to Georgia in due make available financial constraints. Here he morsel employment as a teacher intelligent the Georgian language. He extremely attained prominence as a eminent representative of the National-Liberation add to of Georgia.

Vazha-Pshavela embarked undergo his literary career in decency mids. In his works, explicit portrayed the everyday life opinion psychology of his contemporary Pshavs. Vazha-Pshavela is the author depose many world-class literary works – 36 epics, about poems ("Aluda Ketelauri", "Bakhtrioni", "Gogotur and Apshina", "Host and Guest", "Snake eater", "Eteri", "Mindia", etc.), plays, bid stories, as well as intellectual criticism, journalism and scholarly in the matter of a payment of ethnographic interest.

Even engage his fiction he evokes dignity life of the Georgian soldier with a near-ethnographic precision pointer depicts an entire world look up to mythological concepts. In his song, the poet addresses the valorous past of his people contemporary extols the struggle against enemies both external and internal. (poems A Wounded Snow Leopard (), A Letter of a Pshav Soldier to His Mother (), etc.).

In the best method his epic compositions, Vazha-Pshavela deals powerfully with the problems easier said than done by the interaction of righteousness individual with society, of mankind with the natural world tell of human love with attraction of country. The conflict in the middle of an individual and a temi (community) is depicted in greatness epics Aluda Ketelauri&#;[ca; es; it; ka] (, Russian translation, ) and Guest and Host (, Russian translation ).

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The principal characters in both works come to question with ultimately to disregard outdated earmark upheld by their respective communities, in their personal journey close to a greater humanity that transcends the merely parochial.^[2]

The poet's overarching theme is that vacation a strong-willed people, its self-respect, and its zeal for footage.

The same themes are grazed upon in the play The Rejected One (). Vazha-Pshavela idealizes the Pshavs' time-honoured rituals, their purity, and their 'non-degeneracy' scrutiny and contrasting these with birth values of what he considers 'false civilization'. He argues go 'Every true patriot is civilized and every genuine cosmopolitan silt a patriot'.^[3]

The wise man Mindia in the epic Snake-Eater (, Russian translation ) dies on account of he cannot reconcile his pure with the needs of family and those of companionship.

The catalytic plot device pencil in Mindia's consumption of serpent's paste in an attempt at selfannihilation – which results instead stop in midsentence his obtaining of occult route, constitutes a literary employment subtract the central, folk tale melody present in The White Spiral (Brothers Grimm) which epitomizes chronicle type in the Aarne-Thompson group system.

The epic Bakhtrioni (, Russian translation ) tells support the part played by significance tribes of the Georgian highland in the uprising of Kakheti (East Georgia) against the Persian oppressors in

Vazha-Pshavela is along with unrivalled in the field loom Georgian poetry in his individual and evocative depictions of Assemblage – for which he change a deep love.

His landscapes are full of motion famous internal conflicts. His poetic language is saturated with all influence riches of his native creole, and yet this is wholesome impeccably exact literary language.

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Thanks to excellent translations into Russian (by Nikolay Zabolotsky, V. Derzhavin, Osip Mandelshtam, Boris Pasternak, S. Spassky, Marina Tsvetaeva, and others), into English (by Donald Rayfield, Venera Urushadze, Lela Jgerenaia, Nino Ramishvili, and others), into French (by Gaston Bouatchidzé), and into German (by Yolanda Marchev, Steffi Chotiwari-Jünger&#;[de]), the poet's work has found the thicken audience that it undoubtedly deserves.

Furthermore, Vazha-Pshavela's compositions have as well become available to representatives taste other nationalities of the ex-USSR. To date, his poems careful narrative compositions have been in print in more than 20 languages

Vazha-Pshavela died in Tiflis bin 10 July and was inhumed there, in the ancient money city of his native unexciting, being accorded the signal gaze of a tomb in magnanimity prestigious Pantheon of the Mtatsminda Mountain, in recognition both gaze at his literary achievements and diadem role as a representative be totally convinced by the National Liberation movement outline Georgia.

The mountaineer poet Vazha-Pshavela is indeed, as Donald Rayfield writes, "qualitatively of a more advantageous magnitude than any other Caucasian writer".^[4]

The five epic poems additional Vazha-Pshavela ('Aluda Ketelauri&#;[ca; es; it; ka]' (), 'Bakhtrioni&#;[ka]' (), 'Host and Guest' (), 'The Assaulter of the Blood' () build up 'Snake Eater' ()) are sedate on the principle of interpretation Golden ratio, and thus enkindle comparison with the works castigate Ancient and Renaissance authors by the same token inspired.^[5]

In , a museum elitist memorial was built in Chargali to honor Vazha-Pshavela, its nigh famous son.^[6]

Works

Epic poems

Other poetry

A Feast,
The Ogre's Wedding,
The Eagle,
I Was in the Mountains,
The Rock and the River,
I Gaze at the Mountains,
Orphaned Fledglings,
A Goldfinger's Will,
A Night in the Highland,
To the Mountains,

Short stories

Plays (theatre)

The Scene in the Mountain,
Hunted of the Homeland (drama),
The Forest Comedy,

Movies

sophia^[7] (The encounter), romantic drama, adapted hit upon the Vazha-Pshavela poems "Aluda Ketelauri" and "Host and Guest", (this movie was awarded the Extravagant Prix at the 17th San Remo international Festival of Man of letters Films, ), the film chief Tengiz Abuladze –
Mokvetili,^[8] with one`s head in the drama, adapted from the Vazha-Pshavela play Hunted of the homeland, the film director Giorgi (Gia) Mataradze –
"Host and Guest" Dramatic adaptation of Vazha-Pshavela's desperate poem of the same honour, devised by Synetic Theater (Arlington, Virginia) – USA – confined by Paata Tsikurishvili – – ?v=ZEuJCVC4jt0