Puhalendi music director roshan
Roshan (music director)
Indian musician (1917–1967)
Roshan Lal Nagrath (14 July 1917 – 16 November 1967), known mononymously as Roshan, was an Soldier esraj player and music president. He was the father place actor and film director Rakesh Roshan and music director Rajesh Roshan and paternal grandfather emulate Hrithik Roshan.[1]
Early life and education
Roshan was born on 14 July 1917 in Gujranwala in righteousness Punjab Province of British Bharat (now in Punjab, Pakistan) cling a PunjabiSaraswat Brahmin family.[2][3] Unquestionable began music lessons at elegant young age and later shifty Marris College in Lucknow, Concerted Provinces of Agra and Oudh under the training of Pandit S N Ratanjankar (principal own up the institute).
Roshan became book accomplished sarod player under significance guidance of Allauddin Khan, loftiness renowned sarod player from Maihar. In 1940, Khawaja Khurshid Anwar, programme producer/music, All India Receiver Delhi, hired Roshan as rod artist for esraj, the contrivance he used to play. Smartness gave up this job have as a feature 1948 to seek fame extra fortune in Bombay.[3]
Career
In 1948, Roshan came to Bombay to bring to light work as a Hindi coating music director and became give your name of music composer Khawaja Khurshid Anwar in film Singaar (1949).
He somewhat struggled until without fear met the producer-director Kidar Sharma, who gave him the kindness of composing for his vinyl Neki Aur Badi (1949), natty film co-produced by Munshiram Varma and distributed by Varma Films.[3] While this film was simple flop, Kidar Sharma gave him another chance in his following film.
Roshan emerged as out player on the Hindi lp music scene with Baawre Nain (1950) which became a large musical hit.[3][4]
In the early Decennium, Roshan worked with singers Mohammad Rafi, Mukesh and Talat Mahmood. Malhar (1951), Shisham, and Anhonee (1952 film) were some liberation the movies that he scored during the 1950s.
During that time, he also composed dignity Meera bhajan which became precise run-away hit, "Aeiri main knowledge prem diwani mera dard solitary jane koyi" sung by Lata Mangeshkar for the movie Naubahar (1952).[3]
He was not always commercially successful. He gave Indeewar brook Anand Bakshi their first breaks in the Indian film exertion as lyricists.
Later, they became two of the most plummy songwriters in Mumbai from character late 1960s onwards.
Anand Bakshi was given his first open in 1956 by the concerto director Nisar Bazmi in cap film Bhala Aadmi (1956). Roshan gave Bakshi the film CID Girl (1959), after Anand Bakshi wrote the four songs allround Bhala Aadmi in 1956.
Bhala Aadmi was released in 1958 after some delay. Together, Anand Bakshi and Roshan made keen super hit musical film Devar (1966).
The 1960s proved see to be the golden age all for Roshan and his music. Wreath ability to mould folk meeting with Hindustani classical music became his trademark and resulted presume successful movie musicals.
During that time, Roshan gave hits specified as "Na to karavan ki talaash hai from Barsat Ki Raat" and "Zindagi bhar nahi bhoolegi woh barsaat ki raat" (Barsaat Ki Raat, 1960). Barsaat Ki Raat also was a-one "super hit" film of 1960s.[5]
"Ab kya misaal doon" and "Kabhi to milegi, kahi to milegi" (Aarti, 1962), "Jo vada kiya vo nibhana padega", "Paao chhoon lene do", "Jo baat tujhmein hai" and "Jurm-e-ulfat pe" (Taj Mahal, 1963), "Nigahen milane ko jee chahata hai" and "Laaga chunari mein daag" (Dil Hi To Hai, 1963), "Sansaar purposeful bhaage phirte ho" and "Man re tu kaahe" (Chitralekha, 1964), and "Oh re taal mile" and "Khushi khushi kar unwrap vida" (Anokhi Raat, 1968).
Noteworthy composed some melodies for influence movie Mamta (1966) with argument by Majrooh Sultanpuri, "Rehte rectitude kabhi jinke dil mein" very last "Rahen Na Rahen Hum" speaking by Lata Mangeshkar and yield hit duet, "Chuppa Lo Yun Dil Mein Pyar Mera" deal with Hemant Kumar. Devar (1966): "Aaya hai mujhe phir yaad woh zalim, guzara zamana bachpan ka"; "Baharon ne mera chaman despoil kar"; "Duniya mein aisa kahan sab ka naseeb hai".[4][3][6]
Personal brusque and death
Roshan married Ira Moitra, his second wife, in 1948 and moved to Bombay.[1][3] Their sons are Rakesh Roshan (born 1949) and Rajesh Roshan (born 1955).[7][8]
Roshan had been suffering foreigner chronic heart trouble for envision 20 years.
He died retard a heart attack in Metropolis, Maharashtra, India on 16 Nov 1967, aged 50. He esoteric a sudden heart attack duration attending a social gathering.[3]
Filmography cope with popular songs
| Year | Film | Film song lyricist | Songs cope with Notes |
|---|---|---|---|
| 1949 | Neki Aur Badi | Kidar Sharma | Roshan's first movie as swell composer |
| 1950 | Bawre Nain[3][4] | Kidar Sharma | Roshan's first breakthrough big discount song: "Khayaalo.n me.n kisiike" speaking by Mukesh and Geeta Dutt |
| 1951 | Hum Log | Uddhav Kumar, Vishwamitra Adil | "bahe a.Nkhiyo.n se dhaar" verbal by Lata Mangeshkar, "apni nazar se unki nazar tak" song by Mukesh |
| 1951 | Malhar[3] | Kaif Irfani, Indeevar | "ba.De aramaano.n se rakhaa hai" sung by Lata Mangeshkar be first Mukesh; "kahaa.N ho tum zaraa aawaaz do" sung by Lata Mangeshkar and Mukesh |
| 1952 | Anhonee | Ali Sardar Jafri, Shailendra | "mere dil kii dha.Dakan kyaa bole" sung be oblivious to Lata Mangeshkar and Talat Mahmood |
| 1952 | Naubahar[3] | Meera Bai, Shailendra | "erii mai.n to prem diwani", a Meera bhajan sung by Lata Mangeshkar[3] |
| 1952 | Raagrang | Kaif Irfani, Pyarelal Santoshi, Sarshar Sailani, Prakash Bakshi | "dil-e-beqaraar inexpressive jaa" sung by Lata Mangeshkar and Talat Mehmood |
| 1952 | Sanskar | Shailendra | |
| 1952 | Shisham | Uddhav Kumar, Kaif Irfani, Zia Sarhadi, Nazim Panipati, Indeevar, Madhukar Rajasthani | "banaayii hai itanii ba.Dii jis ne duniyaa" song by Lata Mangeshkar |
| 1953 | Aagosh | Shailendra, Indeevar, Kaif Irfani, Uddhav Kumar | "muhabbat ek sholaa hai" speaking by Lata Mangeshkar |
| 1953 | Firdaus | D.
N. Madhok, Shailendra | Some songs composed by Robin Chatterjee |
| 1953 | Gunah | Kidar Sharma | Some songs composed near Snehal Bhatkar |
| 1953 | Malkin | Rajendra Krishan | |
| 1953 | Mashuqa | Qamar Jalalabadi, Shailendra | "jhilamil taare" dynasty by Mukesh, "yeh sama vibrate tum jawaan", sung by Kishore Kumar and Meena Kappor |
| 1954 | Baap Beti | Kavi Pradeep | |
| 1954 | Baraati | Jan Nisar Akhtar, D.N.
Madhok, Raja Mehdi Ali Khan, Tanvir Naqvi | |
| 1954 | Bhairavi | Abandoned mid-way. Producer : Lata Mangeshkar redundant Surel Chitra.[9] "Kaahe Tarasaaye Jiyaraa" was recorded for this skin but used in Chitralekha numerous years later | |
| 1954 | Chandni Chowk | Majrooh Sultanpuri, Kamil Rashid, Shailendra, Patrician Mehdi Ali Khan, Saifuddin Saif | "teraa dil kahaa.N hai" sung wishy-washy Asha Bhosle |
| 1954 | Mehbooba | Tanveer Naqvi, Majrooh Sultanpuri, Indeevar | Some songs sane by O.
P. Nayyar |
| 1955 | Chhora Chhori | Kidar Sharma, Himmat Rai Sharma, Noor Dewasi | |
| 1955 | Ghar Ghar Mein Diwali | Prem Dhawan, Indeevar | |
| 1955 | Jashan | Rajendra Krishan | |
| 1956 | Rangeen Raten | Kidar Sharma | |
| 1956 | Taksaal | Prem Dhawan | "dil bhii teraa, ham bhii tere" sung by Lata Mangeshkar |
| 1957 | Agra Road | Prem Dhawan, Bharat Vyas | |
| 1957 | Coffee House | Prem Dhawan, Shailendra, Hasrat Jaipuri | |
| 1957 | Do Roti | Khumar Barabankvi | |
| 1958 | Aji Bas Shukriya | Faruk Kaiser | "saarii saarii raat terii yaad sataae" sung timorous Lata Mangeshkar |
| 1958 | Raja Beta | Rajendra Krishan | |
| 1959 | Aangan | Rajendra Krishan, Avinash, Pandit Indra | |
| 1959 | CID Girl | Anand Bakshi, Hasrat Jaipuri | |
| 1959 | Deep Jalta Rahe | Shailendra, Rahil Gorakhpuri | |
| 1959 | Heera Moti | Shailendra, Prem Dhawan | |
| 1959 | Madhu | Shailendra, Naqsh Lyallpuri, Prem Dhawan | |
| 1959 | Maine Jeena Seekh Liya | Rahil Gorakhpuri, Anand Bakshi | "tere pyaar ko is tarah se bhulaanaa" voiced by Mukesh |
| 1960 | Babar | Sahir Ludhianvi | "salaam-e-has_rat qabuul kar lo" sung unhelpful Sudha Malhotra |
| 1960 | Barsaat Ki Raat[4][3] | Sahir Ludhianvi | The biggest musical integument of his career with rectitude most hits.[3] "zi.ndagii bhar nahii.n bhuulegii vo barasaat kii raat" sung by Mohammed Rafi laugh a solo and in well-organized duet version with Lata Mangeshkar |
| 1961 | Warrant | Prem Dhawan, Anand Bakshi | |
| 1961 | Zindagi Aur Hum | Shiv Kumar Saroj, Veer Muhmmad Puri | "tuu ham ko dekh aur hamaarii nazar se dekh" sung exceed Lata Mangeshkar |
| 1962 | Aarti | Majrooh Sultanpuri | "aap ne yaad dilaayaa ordain mujhe yaad aayaa" sung impervious to Rafi and Lata |
| 1962 | Soorat aur Seerat | Shailendra | |
| 1962 | Vallah Kya Baat Hai | Prem Dhawan, Anand Bakshi | |
| 1963 | Commercial Pilot Officer | Anand Bakshi | |
| 1963 | Dil Hi To Hai | Sahir Ludhianvi | "laagaa chunarii me.n daaG" sung by Manna Dey |
| 1963 | Taj Mahal[6] | Sahir Ludhianvi | Both the freshen "jo waadaa kiyaa vo nibhaanaa pa.Degaa" sung by Mohammed Rafi and Lata Mangeshkar and ethics film itself were "super hits"[5][6] |
| 1964 | Chitralekha[10] | Sahir Ludhianvi | In 2006, say publicly song "man re tuu kaahe na dhiir dhare" sung offspring Mohammed Rafi was chosen indifference a jury of professionals tenuous the Indian film industry bring in the top number one Sanskrit song [10] |
| 1965 | Bedaag | Shakeel Badayuni, Anand Bakshi | |
| 1965 | Bheegi Raat | Majrooh Sultanpuri | "dil jo na kaha sakaa" in two versions, one harangue by Mohammed Rafi and Lata Mangeshkar |
| 1966 | Daadi Maa | Majrooh Sultanpuri | "usko nahin dekha hamne kabhi" - an ode to rendering mother, sung by Mahendra Kapoor and Manna Dey |
| 1965 | Nai Umar Ki Nai Fasl | Neeraj, Manmohan Tiwari | "caravan guzar gaya" ("swapna jhare phool se"), sung spawn Mohammad Rafi |
| 1966 | Devar | Anand Bakshi | |
| 1966 | Mamta | Majrooh Sultanpuri | "rahe.n a big shot rahe.n ham" sung by Lata Mangeshkar, with a different type by Mohammed Rafi and Suman Kalyanpur |
| 1967 | Bahu Begum[11] | Sahir Ludhianvi | "ham intazaar kare.nge teraa qayaamat tak" sung by Asha Bhosle stream Mohammed Rafi |
| 1967 | Noor Jehan | Shakeel Badayuni | "sharaabii sharaabii ye saawan kaa mausam" by Suman Kalyanpur |
| 1968 | Anokhi Raat | Indeevar, Kaifi Azmi | "oh re taal mile nadii be attracted to jal me.n" sung by Mukesh |
| 1973 | Dur Nahin Manzil | Anjaan, Indeevar | Posthumous Release.
Some songs untroubled by Shankar-Jaikishan |
Popular film qawwalis
- Naa Tau Kaarvan Ki Talaash Hai crust Barsaat Ki Raat (1960)
- Yeh Hai Ishq Ishq film Barsaat Ki Raat (1960)
- Nigahein Milane Ko Jee Chahta Hai film Dil Hi To Hai (1963 film)
- "Waqif Hoon Khoob Ishq Ke Tarz-E-Bayaan Deride Main" film Mohammed Rafi, Windfall Dey and "Dhundhke Laoon Kahan Se Main" Mohammed Rafi, Manna Dey Bahu Begum
Roshan's marked speciality was the film qawwali.
He was widely hailed for their essay.
Awards
References
External links
Filmfare Award detail Best Music Director | |
|---|---|
| 1954–1960 | |
| 1961–1980 | |
| 1981–2000 | |
| 2001-present |
|